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Under the Feet of Jesus, by Helena Maria Viramontes
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With the same audacity with which John Steinbeck wrote about migrant worker conditions in The Grapes of Wrath and T.C. Boyle in The Tortilla Curtain, Viramontes (The Moths and Other Stories) presents a moving and powerful vision of the lives of the men, women, and children who endure a second-class existence and labor under dangerous conditions in California's fields. ��This first novel tells the story a young girl, Estrella, and her Latino family as they struggle with arduous farm labor during the summer months, and still manage to latch onto the hope of a liberating future.� Viramontes graces the page with poetic touch, artfully describing poverty conditions and bringing to the reader a panoramic view of social consciousness and unforgettable characters.
- Sales Rank: #56226 in Books
- Published on: 1996-04-01
- Released on: 1996-04-01
- Original language: English
- Number of items: 1
- Dimensions: 7.98" h x .51" w x 4.98" l, .35 pounds
- Binding: Paperback
- 192 pages
From Publishers Weekly
This first novel adds another important chapter to the existing body of literature about the Mexican-American experience. Viramontes (The Moths and Other Stories), who teaches at Cornell, does not offer deep characterization or psychological complexity here. Instead, working firmly in the social-realist vein of Steinbeck's The Grapes of Wrath and Upton Sinclair's The Jungle, she paints a harrowing ensemble portrait of migrant laborers in California's fruit fields. The family of 13-year-old Estrella, and the others with whom they travel and work, burn under 109-degree heat until the backs of their necks sting; women nurse their babies in the backs of pickups. Viramontes depicts this world with a sensuous physicality, as when Petra, Estrella's mother, digs a fingernail into the melting tar of a blacktop highway. And the close quarters in which her characters are forced to live promotes a collective intimacy that Viramontes evokes with a sure hand, conveying the solace to be found in solidarity while never losing sight of the fact that these people enjoy absolutely no privacy. Slow and wandering at the outset, the novel picks up after a small plane releases a white shower of deadly pesticide, which washes over the face of Alejo, a teenager who is perched in a peach tree, busy stealing the soft, ripe fruit. Alejo is drenched with poison, much to the horror of Estrella, who has fallen in love with him. Alejo becomes sick with what the migrants call "da?o of the fields"?so sick that the de facto leader of the workers wants to leave him behind. But Estrella makes it her mission to help save him, and she is driven to great sacrifice in order to do so. Into this unforgiving world, Viramontes pours archetypal themes of the passage of time, young love, the bonds and tensions between generations and, above all, the straining of the spirit to transcend miserable material conditions.
Copyright 1995 Reed Business Information, Inc.
From Booklist
Migrant Mexicans shackled to a life of itinerant farm labor form the backdrop for a summer in the life of young Estrella and her family. Seemingly a prescription for sorrow, in Viramontes' hands the canvas instead teems with color and builds toward hope for a liberating future--at least for Estrella. Her mother, Petra, and stepfather, Perfecto, remain confined to their tattered possessions and dusty poverty, and much of Viramontes' imagery--imaginative and allusive descriptions of land, orchards, and worn-out clothes--fix in readers' minds that they will not escape. Estrella, too, partakes of this despair of the migrant's world, but being young she is not resign to her seeming fate. Her feelings culminate when she smashes up a nurse's office, goaded by the nurse's insensitivity to the family's privation and shortage of cash. That shock quickly abates, but the anger elides into an ethereal mood as Perfecto weighs abandoning the family while Estrella wanders through a barn to scatter then reattract a flock of symbolic birds. A chromatically impressionistic novella that should hit home in Latin literature collections. Gilbert Taylor
Review
“Stunning… blends lyricism, harsh realism and concern for social justice.”—Newsweek
“The best literary fiction makes its villains out of situations rather than people, and finds its heroes not in noble victors but in the spirit of ordinary men and women. In this lyrical tale of a fruit-picking family in some nameless weedy place, there is no sadistic overseer, unless it is the pitiless sun, which sucks sweat and hope from laboring bodies.�Viramontes's�novel comes the closest of any yet to universalizing this appalling life.”—Joanne Omang, The Washington Post
“A nationally acclaimed author… one of the country's premier Latina writers.”—Jeff Kass, Los Angeles Times
Most helpful customer reviews
0 of 0 people found the following review helpful.
but I just love it. It was a fairly quick read
By trinklest
I got this book to read in my English class, but I just love it. It was a fairly quick read, but the characters are well built and very interesting!
0 of 0 people found the following review helpful.
Five Stars
By Summer Stevens
Great quality of book!
1 of 1 people found the following review helpful.
Beautifully written story to honor those who put food on our tables.
By SCortez
Absolutely beautifully written! It tells the delicate and intricate story of a real life circumstance through the perspective of a fictional character.
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