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From New York Times bestselling author James Lee Burke comes his definitive, must-read first title in his famous Dectective David Robicheaux series.
New Orleans Detective Dave Robicheaux has fought too many battles: in Vietnam, with police brass, with killers and hustlers, and the bottle. Lost without his wife's love, Robicheaux haunts the intense and heady French Quarter—the place he calls home, and the place that nearly destroys him when he beomes involved in the case of a young prostitute whose body is found in a bayou. Thrust into the seedy world of drug lords and arms smugglers, Robicheaux must face down the criminal underworld and come to terms with his own bruised heart and demons to survive.
- Sales Rank: #48357 in Books
- Model: 1013826
- Published on: 2002-10-01
- Released on: 2002-10-01
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .80" w x 5.31" l, .56 pounds
- Binding: Paperback
- 275 pages
From Publishers Weekly
Burke's sixth novel pits New Orleans homicide detective Dave Robichaux against the mob, the contras, the Feds and just about all the other cops. The trouble starts when Robichaux insists on investigating the murder of a young prostitute and discovers that it isn't only the crooks who don't want the truth to come out: the police don't want it revealed, either. The underworld and the authorities combine to cobble up a frame against Robichaux, and suddenly he's on the run. Burke's maverick detective and his gritty, realistic dialogue and convoluted plotting are reminiscent of Elmore Leonardwhose latest novel, Bandits, has a contra angle, too. The matter of subterranean government policy running amok suits the world of suspense fiction well, serving it in the 1980s the way Cold War themes fed the genre in earlier decades. With its fine local color and driving action, this novel is both chilling and first-rate entertainment.
Copyright 1987 Reed Business Information, Inc.
From Library Journal
New Orleans homicide cop Dave Robicheaux has a passion for fishing. While pursuing his hobby on a back country bayou, Robicheaux finds a body. His discovery pulls him into a network of small-time Mafiosi, Nicaraguan drug dealers, federal Treasury agents and retired two-star generalsall involved in a plot to ship arms to the Nicaraguan contras. More interesting than the unraveling of this plot is Robicheaux himselfCajun, recovering alcoholic, practicing Catholicand his efforts to preserve his integrity in the face of provocation. Better still are Burke's evocative descriptions of New Orleans life both high and low. The book is marred slightly by a resemblance to the Travis McGee seriesRobicheaux lives on a houseboat and has a penchant for color-laden metaphor. But Neon Rain is a well-crafted novel with a likable hero. Louise A. Merriam, L.E. Phillips Memorial P.L., Eau Claire, Wis.
Copyright 1987 Reed Business Information, Inc.
Review
Richmond Times-Dispatch A winner of a book.
The Washington Post Book World Like a violent summer storm....Dizzying action....Burke's writing is masterful.
San Francisco Chronicle Burke writes with honesty and tough compassion....An intelligent and intriguing story of greed, vengeance, and the precarious redemptive qualities of love.
The Washington Post Book World Dialogue that's so right, so real, so true to the personality you'd swear the guys were right there in the room with you; and a setting...that's so vivid you can feel the heaviness in the air, see the heat lightning, and taste the sauce piquante. I love this book!
James Crumley Author of The Last Good Kiss The Neon Rain is a dream come true, a detective novel that bridges the gap to serious fiction with marvelous characters, an intricate plot, and lyrical prose....This is a novel I really admire.
St. Petersburg Times (FL) Horrifying....Nerve-racking....If Robert Mitchum wrote books, he'd write like this....The Neon Rain has all the right components.
Kirkus Reviews Bloody, ripsnorting suspense....Fine scenes that fairly crackle with menace.
Most helpful customer reviews
251 of 261 people found the following review helpful.
A Weak Start To A Terrific Series
By Douglas A. Greenberg
The best way to read any literary series, including those involving hard-boiled detectives, is to pick them up in the order the books were written. That way, the individual stories take on greater meaning as part of the ongoing evolution of a principal character as he or she develops and changes. In light of this, it's tempting to recommend that prospective readers of James Lee Burke's Louisiana-based Dave Robicheaux series should start with *The Neon Rain*, which sets the stage for the numerous subsequent books.
Anyone who reads Burke's prose should be impressed by his unusual gift for verbal description. His ability to paint word pictures of places, characters, moods, and feelings is exquisite, and for this reason alone a reader might plow through the entire story. However, the plot construction of *The Neon Rain* is so anemic that I would not be surprised if many of those who read this New Orleans-based story simply refuse to go on to the subsequent stories set in New Iberia. This is a shame, since most of these later works are excellent mysteries in which the stories are far more complex and engrossing.
In this novel, and to some extent in all of them, Burke employs a formulaic approach in which his protagonist veers from crisis to self-inflicted crisis (in pursuit of righteousness and justice, of course), with the narrative invariably punctuated both by breathtaking descriptions of places and people (and also meals), and periodic episodes involving bloody mayhem. After a while it gets pretty predictable; in his later works, however, Burke develops story lines that are sufficiently interesting that he can make the formula work, at least most of the time.
It should be noted also that Burke demonstrates throughout his *corpus* an admirable sympathy with the downtrodden and disadvantaged both in America and abroad, along with a sneering dislike of the rich and powerful. This political aspect of his writing is certainly unusual within the detective genre, and for me, at least, is highly refreshing.
So, should people seeking a great detective novel read pick up *The Neon Rain*? Yes, but ONLY if they resolve beforehand to view it as a kind of "prequel" to the higher quality Robicheaux novels that follow.
0 of 0 people found the following review helpful.
Beautiful descriptive writing, decent cop novel....
By E. Calhoun
Beautiful descriptive writing that paints a picture you can almost step into. But, I didn't find the plot all that great, or the characters all that likeable (but then I confess I just don't see the appeal in the "broken" heroes we have in most books today... I don't expect a superman or perfect unflawed person, but sometimes I wonder how today's "heroes" function at all in life, much less solve murders, survive deadly enemies, and even "get the girl...") Yes, I know he's a best-selling and award-winning author..... and this isn't a "bad" book by any stretch of the imagination.... I was just expecting "more"....
1 of 1 people found the following review helpful.
The Beginning of Dave Robicheaux
By Mickie Phipps
There's nothing like a James Lee Burke novel! Neon Rain is the beginning of the Dave Robicheaux series, and it is an excellent read. Burke's style is unique -- he likes to make the reader think. Nothing is ever spoonfed to us.
For example, there is this dark passage about a very bad man, the antagonist, dying from cancer, alone:
"Somewhere down inside him, he knew that his fear of death by water had always been a foolish one. Death was a rodent that ate its way inch by inch through your entrails, chewed at your liver and stomach, severed tendon from organ, until finally, when you were alone in the dark, it sat gorged and sleek next to your head, its eyes resting, its wet muzzle like a kiss, a promise whispered in the ear."
With no other description of the scene - the sterile hospital room, the nurses who lack compassion, the long nights, the brutal pain - the hopelessness of the character's situation is absolutely clear, encapsulated in this one metaphor. Death was a rodent. We have a taste of fear in our mouths that won't leave us when we put a marker in place and close the book. We know this wicked man's death was justice delivered, but we feel vulnerable to the rat ourselves. So there is some small element of conflict there as we sympathize with the dying man. Burke played on our fears, kept us intrigued to the very end, and then left us with just enough discomfort that the story will stay with us for a long time.
Burke's characters are complex, flawed, interesting. Life is messy and doesn't always treat them fairly, so my heart aches for these characters as they experience tragedies, abuses, mistakes, bad choices. But it's not just the characters that are intriguing. He knows how to make the scene come alive - literally.
I highly recommend any of James Lee Burke's novels. Neon Rain is top-notch.
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